Showing posts with label Harold Knerr. Show all posts
Showing posts with label Harold Knerr. Show all posts

Sunday, March 18, 2012

Sunday Funnies - a Retrospective, 2 of 5

Week two of Richard Marshall and Bill Blackbeard's "The Sunday Funnies" from 1978, this week celebrating the newspaper comics giants of the 1910's!  

As I tried to express last week, a good part of the fun of this publication was that it was printed FULL size as you would have read it in 1915 as a supplement in your Sunday paper.  Never-the-less, I trust the fun and enjoyment comes through, even in this humble blog.

This week our eyes are treated to the grand works of Winsor McCay ("Dreams of the Rarebit Fiend"), Rube Goldberg ("Boob McNutt"), Carl E. Schultze ("Foxy Grandpa"), Bud Fisher ("Mutt & Jeff"), George McManus ("Their Only Child"), Harold Knerr ("The Katzenjammer Kids"), James Swinnerton ("Little Jimmy") and some lesser-known, under appreciated but no less deserving, Raymond Crawford Ewer "Slim Jim") and Johnny Gruelle ("Mr. Twee Deedle").

Dig in kids.  Sunday is the most nutritious meal of the week.











Newt Sunday:  Those Roaring Twenties you're all heard about.

Talk to you soon!

Thursday, February 25, 2010

Rudolph Dirks - He Put The Words Right in Their Mouths

Tomorrow, February 26th, will be the 133rd anniversary of the birth of Rudolph Dirks, born in 1877!

Rudolph Dirks was responsible for the longest running newspaper comic strip in history, The Katzenjammer Kids. The strip made it's debut on December 12, 1897 and is still run in some newspapers to this very day, over 112 years!

The strip is influenced by some 19th century German woodcarvings featuring a couple of devilish young boys named Max and Moritz and the idea was presented to Dirks to do an updated version for newspapers. Dirks renamed the boys Hans and Fritz, gave them parents and a grandfather and they were dubbed the Katzenjammers. The word Katzenjammer in German translates to "the yowling of cats", and it was a slang term meaning "hangover".

As the strip grew, the father and grandfather were eventually dropped and a salty sea captain (The Captain) moved in as a border in the home and a little later a truant officer (The Inspector) came along for the boys, but after a time moved in as well.

What is truly groundbreaking about Dirks' work on the strip though, is he brought 2 conventions to the medium. Both conventions were used experimentally by other cartoonists, but Dirks made them a mainstay of his strip and for 99.9999999% of every strip to come since. The Katzenjammer Kids was the first strip to have running regular characters in it week to week, and he was the first to regularly use word balloons to have the characters speak and move the narrative along.

If that ain't enough to plant him firmly in comic strip history, I don't know what is.

Here's an early strip:

After 15 years on the strip, Rudolph Dirks wanted to take a much deserved break. The syndicate of William Randolph Hearst wouldn't allow it's cash-cow to go stale and forbade his leave, and Rudolph left anyway.

Hearst continued the strip by bringing in another artist named Harold Knerr. This cause a legal battle between Dirks and the syndicate over ownership and creator rights. The judge deemed that Dirks owned the rights to the strip and the characters therein, but that Hearst owned the name. Dirks went down the street and went to work for Joseph Pulitzer and started doing his strip there and the Katzenjammers' continued in the Hearst papers with Knerr at the helm.

At first the strip Dirks was doing didn't have a title, it just appeared under a heading saying "from the creator of the ORIGINAL Katzenjammers" and then as "Hans and Fritz".

Eventually it was named "The Captain and the Kids":

For years the two strips existed side by side in separate newspapers..."The Katzenjammer Kids" by Knerr and "The Captain and the Kids" by Dirks.

Ironically, because Dirks often got bored with the grind of a daily and weekly strip, his work over the course of the next few decades is a little spotty and uneven. Knerr's passion for the work never seemed to waver and in truth, he was a much better draftsman than Dirks. So in retrospect, Knerr's inherited strip far surpassed Dirk's original.

A sample of Dirks' work:

A Knerr strip

Rudolph Dirk's contribution to the way comics tell stories is never in doubt though and for that he will long be remembered as one of the original fathers of the art form.

Thanks Rudolph! For showing us how to tell a story! Happy birthday!

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