Showing posts with label Krazy Kat. Show all posts
Showing posts with label Krazy Kat. Show all posts

Sunday, May 15, 2011

4 Pages of 4 Color Goodness - The Sunday Funnies!

The Sunday funny paper.

For a generation and more before my own, that heavy bundle of wood pulp landing on the front porch of the family homestead with a loud "KERTHUMP!" and wrapped in the 4 color printing of a circus poster, was a hgihlight of the week.

In major markets, 16 pages of jungle action, international intrigue, far-flung science fiction adventure, rough-and-tumble cowboy grit, humor, mobsters, G-Men, T-Men, goofy looking guys with big feet and bulbous noses and glorious gorgeous gals with big...um...with bulbous...well, you get the idea, was delivered right to the doorstep. It was to be splayed across the living room floor where the wide-eyed youngsters of a country and world on the verge of growing up would lie flat-bellied and let their minds wander through all the places he and his ilk would maybe one day go for real.

For some it would be an hours escape through some other writer and artists imagination that would later in the day and week help spur their own imaginations, as they ran through fields and vacant lots with their own make believe six-shooters, tommy-guns and ray-guns battling their own dastardly foes, drawn from the ids of their expanding minds.

For some it would be stared at, studied, and with notebook paper and pencil, would be copied for hour upon hour for the next full week (until the next installment), trying to find their own way to tell stories and draw funny looking horses and sleek space ships.

It was a magic time of less media influence on our lives, and therefor the media that did come through was actually produced by talented creative people who knew how to capture our hearts and imaginations. There was only a "Jersey Shore" in a geographical sense, and the "American Idols" which existed were there because of their accomplishments, not because the trailer park crowd loved to see an 18 year old spoiled brat cry on TV.

For the Sundays into the forseeable future, I hope to re-capture some of that feeling. The creative talents behind these classic strips are gone now, and only knobs with suits exist to hold the copyright on these features. In my "schoolyard justice" sensibilities, these idiots who hold the gates to the kingdom and who refuse to unlock them for those of us who want to admire the art are undeserving, so I share some of what I have collected over the years hoping you will feel some of the magic I felt discovering these things myself.

The sights and smells of "Dogpatch", "Coconino County", the South Pacific and SouthEast Asia of the 1940's and art deco drawing rooms of the 1920's are what I'll be sharing at first.

Dig In!










Talk to you soon.

Saturday, January 29, 2011

"Krazy Kat: a Love Story" - Nemo #32 part 2

George Herriman's "Krazy Kat". Sheer genius. A lush tapestry of poetry both lyrical and visual. And under it all was a simple love story of a Dog who loved a Kat who loved a Mouse.

"Nemo: the Classic Comics Library" posthumous issue #32 takes a glimpse at this eternal triangle.

Read on.






Talk to you soon.

Wednesday, June 9, 2010

Wednesday Comics - Frank King and George Herriman

The "F"in' real world is knocking on my door again this morning. What is it with this whole 'job' thing? Don't they know I'm trying to blog around here? Anyway, no time for musing about "what-might-have-been" coming from "Inside Jeff Overturf's Hiney" today, so how about a double does of articles from the 1983 issue number 1 of "Nemo: the Classic Comics Library"?

First up a look at the Sunday page layouts of Frank King in "Gasoline Alley"...





Next, some of the non-"Krazy Kat" work by George Herriman! If you want to see more of this stuff, check out Allen Holtz's great blog The Strippers Guide. Every Saturday he spotlights Herriman and the work he did outside of his famous strip.
Enjoy!












See y'all tomorrow!

Saturday, August 22, 2009

The Kartoonist Kreator of the Krazy Kat from Kokonino Kounty

George Herriman was born this day in 1880, he would have been 129 years old today.

A lot of times when creative people are discussed, the word "genius" gets thrown in to the adjectives. Too often. To the point of losing it's meaning and power. I try not to do that.

I admire a lot of cartoonists and when reviewing their life's work I am impressed with their individuality, their creativity, their artistic style, their storytelling, etc., but the only one that I can without a doubt and without fear of needing to prove my point, call a genius...is George Herriman.

Herriman was born in 1880 in Louisiana and moved to Los Angeles at a young age. He got a job as a spot illustrator and engraver at the Los Angeles Herald-Examiner and was soon starting comic strips of his own. He did a number of them, but one worth noting is "The Dingbat Family" or "The Family Upstairs". This was a simple and straight-forward domestic comedy strip, but what set it apart was, along the bottom of each panel, either below the main characters' feet or even under the floorboards, was a completely different storyline going on between the family cat and a mouse. This cat and mouse were spun off into their own strip in 1913 called "Krazy Kat and Ignatz", then just "Krazy Kat" and the rest is history.

Pictured below are the main characters, Krazy Kat, Ignatz Mouse and Offisa Pup.

Pictured below is the main thrust (only apparently) of the strip. Ignatz beans Krazy with a brick as Krazy dreams of his "Lil' Anjil", Ignatz.

Offisa Pup loved Krazy Kat, Krazy Kat Loved Ignatz Mouse, Ignatz Mouse loved to throw bricks at Krazy Kat, Offisa Pup would throw Ignatz Mouse in jail...and the cycle continued. A love triangle with non-gender specific protagonists.

It wasn't the story that was told that made it great, it was the WAY the story was told that Herriman's genius went to work on.

Set in Coconino County, AZ., the sets that all this action took place in were a joy to the eye. Done in the time when a Sunday comic strip took up the entire page of the newspaper, these scenes are a joy to behold. Herriman's stylist page layouts combined with this beautiful surreal desert to create a different world. Cacti and trees grew, not from the desert sands, but from terracotta pottery scattered over the desert floor, decorated in Navajo designs. Art deco mesas loomed in the distance and even the shadowed phases of the moon were three dimensional cutaways of a chunk in the sky.

The language was as poetic as the visuals. The characters speak phonetically making what they're saying appear child-like, but the turn of phrases even turn of concepts is true poetry on the highest order.

I do an injustice to Herriman's work trying to analyze something that was so organic to him. Check out these few examples of his work.



The strip was adored by the art elite and intellectuals of the day, but the general public (the "mooks du jour") didn't understand it and wrote letters to the papers saying so, a sure coffin closer for any feature. Except for one thing...or one man I should say. One of it's admirers was William Randolph Hearst. He owned the newspaper syndicate. The strip ran from 1913 until Herriman's death in 1944. 33 years. All you need is the right champion, and something worthwhile can actually succeed. :)

In 1999 The Comics Journal had a poll for the top 100 comics of the 20th century. This included both comic strips and comic books. Krazy Kat was number 1.

When Herriman died, the common practice of the day was to replace the artist with another to continue on the feature, after all most comic strips are owned by the syndicate, not the artist. But Hearst said no in this case. No one could replace George Herriman. Krazy Kat was too personal a project. A sure sign of genius.

Herriman's ashes were scattered from an airplane over Monument Valley, Arizona. Coconino County will always be his home.

Thanks George!

Search This Blog